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BSG
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)
BSG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
Cto Bass 16 0 5 1 100%
Vn
1		 Treble 18 0 7 1 100%
Vn
2		 Treble 19 0 6 1 100%
Bass Bass 16 0 5 4 83%
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
Bass
2		 Bass 10 0 2 6 76%
Tenor
1		 Treble 10 0 1 6 64%
 
J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)
BSG
3:19 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100%
Bassoon Bass 28 0 10 5 97%
Flute Treble 22 0 9 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100%
Bassoon Bass 28 0 10 5 97%
Flute Treble 22 0 9 6 94%
 
Five beloved Bach continuo solos for realization exercise
BSG
1:27 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 7 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 7 6 100%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%
 
J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)
BSG
8:40 Est. Play
Time
239 Measures
2,289Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90%
21 0 7 7 82%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90%
21 0 7 7 82%
22 0 8 7 84%
27 0 11 7 92%
Reed
Contrabass		 Bass 22 0 7 7 62%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%